Those who envision government primarily as a means of punishing departures from their point of view—that is, those who are currently winning the civic debate—will object to the suggestion that disdain for racist sentiment falls short of pre-eminence among reasons to expel the stars and bars from official settings. This flows naturally from a reflexive desire to avoid encountering ideas deemed uncomfortable, a desire lately asserting itself with increasing vigor—dare we say ferocity?—in the realms of academia, government, and commerce seemingly twice a day. Hence the moral exhibitionism of denouncing a flag rather than confront the reality that the cold-blooded murder of nine innocents in South Carolina proves the existence of evil among us. It’s easier to confront a flag. What’s not so easy is to square this with the obvious enjoyment polite society derives from expression calculated to offend some groups, tellingly limited to those not known for litigating over perceived insults or conducting aggressive protests. The flag frenzy may have reached its zenith last Thursday when a New York film critic proposed to ban future showings of “Gone with the Wind,” contending the story amounts to a racist apologia. Whatever the movie is or isn’t, it depicts an American reality that once existed. To hide it away would not be evidence of social progress, but rather one more example of societal cowardice.
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